'The Wall of Waste' was an assignment for the renovated office of Reynaers and Roval in Helmond. At the request of Marianne, material was collected among staff. During the open day, people worked enthusiastically on elements for the artwork, which were eventually all incorporated into the edge. She chose the logo of the company's core values as the starting point for the design.
In 2014, the new Club Hall in the Verkadefabriek in Den Bosch was opened. Marianne was given the assignment to decorate the bar of more than 6 meters. She collected hundreds of round gold-coloured objects made of copper, bronze and brass among Verkade visitors and in thriftstores. The entrance with the Persian carpets is also by her hand, her many years of experience as a pattern designer came in handy in this hall and at the bar. The two large woven tapestries and the diptych with the flying fish were purchased.
The BoschBeest is a work of art to conclude the Jheronimus Bosch Year in 2017. Marianne had already come up with the name 'BoschBeest' in 2010 at the first Boschparade and she was commissioned for the design. She took the owl as a starting point, because it is present in almost every painting by Hieronymus Bosch. Her inspiration was his famous triptych 'Garden of Earthly Delights', which hangs in the Prado in Madrid. It became an Owl with 3 different sides full of symbolic and alienating elements. Both the contemporary role of the owl as a symbol of wisdom can be found in the image as well as the medieval one: source of mischief and sign of stupidity.
The realisation of the BoschBeest was led by Paul van Dongen and in collaboration with Marianne, the young people of the Opis Foundation, volunteers and more than 350 residents of Bosschen who learned blacksmithing in the Stadsmederij during free workshops. Their forged contributions were all incorporated into the BoschBeast's beard after being processed into beautiful curls by the youths of Opis. Marianne went to all bicycle repair shops in 's-Hertogenbosch and the surrounding area for more than a hundred sprockets to further supplement the beard. She also drew from her own collection and of course went to thrift shops. Dozens of objects were collected via social media, such as bowls, trays, cymbals, pan lids, musical instruments and a washbasin. The hundreds of horseshoes that form the feathers of the birds came from Opis volunteer Henk who is a farrier in his own time.
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